Henri de toulouse-lautrec
1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
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Henri de toulouse-lautrec Jane Avril at the Jardin de Paris oil painting


Jane Avril at the Jardin de Paris
mk235 1893 Oil on canvas 124.5x89.5cm
Painting ID::  54194 		Henri de toulouse-lautrec
Jane Avril at the Jardin de Paris
mk235 1893 Oil on canvas 124.5x89.5cm
   
   
     
Henri de toulouse-lautrec Aristide Bruant at His Caharet oil painting


Aristide Bruant at His Caharet
mk235 1892 Oil on canvas 137x96.5cm
Painting ID::  54195 		Henri de toulouse-lautrec
Aristide Bruant at His Caharet
mk235 1892 Oil on canvas 137x96.5cm
   
   
     
Henri de toulouse-lautrec Women in a Brothel oil painting


Women in a Brothel
mk235 c.1893/1894 Oil on card 60.3x80.5cm
Painting ID::  54216 		Henri de toulouse-lautrec
Women in a Brothel
mk235 c.1893/1894 Oil on card 60.3x80.5cm
   
   
     
Henri de toulouse-lautrec The Sofa oil painting


The Sofa
mk235 1895 Oil on canvas
Painting ID::  54217 		Henri de toulouse-lautrec
The Sofa
mk235 1895 Oil on canvas
   
   
     
Henri de toulouse-lautrec at the cirque fernando the ringmaster oil painting


at the cirque fernando the ringmaster
mk247 1887 to 88,oil on canvas,40x63 in,103x161 cm,joseph winterbottom collection,chicago,il,usa
Painting ID::  56323 		Henri de toulouse-lautrec
at the cirque fernando the ringmaster
mk247 1887 to 88,oil on canvas,40x63 in,103x161 cm,joseph winterbottom collection,chicago,il,usa
   
   
     
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     Henri de toulouse-lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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